Music in Western Civilization《西方文明中音乐》[摘抄]2

2022-04-14 21:33:08

Music in Western Civilization

《西方文明中的音乐》内容简介:六十年来,《西方文明中的音乐》不仅巳成为音乐史学领域的大师级经典论著,而且也被证明对文化史研究做出了突出贡献。原著于1941年在纽约出版,随即被公认是美国音乐学走向成熟的标志性里程碑著作。六十年来,《西方文明中的音乐》不仅已成为音乐史学领域的大师级经典论著,而且也被证明对文化史的研究做出了突出贡献。就单个学者所著的单卷本音乐通史而论,至少在英语世界中,至今尚无任何著作在体现史家的“才、学、识”方面堪与(西方文明中的音乐)相比。《西方文明中的音乐》中译本亦获得国内翻译界一致好评。

作者:(美国)保罗·亨利·朗(Lang P.H.) 

译者:顾连理 张洪岛 杨燕迪 汤亚汀


2017/9/9

《西方文明中音乐》摘抄

Music is in all languages acknowledged, by its very name, to be a muse-inspired, muse-descended art. The Greek muses, later the guardians of all branches of art, were at first only three in number. Two of them embodied ideas characteristic of every art, study and memory; the third bore the name Song. Their first dwelling place was the Pierian plains at the foot of Mount Olympus, where they moved to Mount Helicon. The seat of the Apollo cult was the island of Delos and subsequently Delphi, in the shadow of Mount Parnassus. The myths suggested the controus of the primeval musical life of the Greek mainland, untouched by alien influences. 


所有西方语言中,“音乐”一词都暗示该艺术得自缪斯,源自缪斯。希腊的缪斯神—后来成为所有艺术门类的保护神—开始时只有三位。其中两位提现所有艺术的共同特点:学习和记忆;而第三位的名字是“歌”。他们起先居住在奥林匹斯山脚下的比埃里亚平原,后迁往赫利孔山。阿波罗崇拜的地点起先是在得洛斯岛,后移至特尔斐城,处在帕纳塞斯山的庇荫之下。这些神话勾勒出希腊大陆音乐生活最初的轮廓,这时的音乐未受到外来的影响。


2017/9/10

《西方文明中音乐》摘抄

Greek musical practice centers around the lyre in its two main forms, the lyre proper, and its larger variety, the cithara. The lyre consisted of a hollow body, or sound chest, from which protruded two arms curved both outward and forward. These arms were connected near the top by a crossbar or yoke. Another crossbar, on the sound chest, formed a bridge to convey the vibrations of the strings to it. The cithara was similarly constructed, but was larger and more sonorous.


希腊的音乐实践以里尔琴为中心。里尔琴有两种主要形态:常规的里尔琴以及它的大型变体基撒拉琴。里尔琴有一个空心琴体,即共鸣箱,从中伸出两支琴臂,向上弯曲,在靠近顶部之处用横轭架相连。共鸣箱上有另一条横轭架,构成琴马,传递缚在其上的琴弦的震动。基撒拉琴在结构上与之类似。

  lyre (古希腊的)七弦竖琴;里尔琴(其他翻译:里拉琴)

Greek vase with muse playing the phorminx, a type of lyre

The lyre (Greek: λύραlýra) is a string instrument弦乐器 known for its use in Greek classical antiquity and later periods. The lyre is similar in appearance to a small harp竖琴 but with distinct differences显著差异. The word comes via Latin from the Greek. The earliest picture of a lyre with seven strings七弦 appears in the famous sarcophagus石棺 of Hagia Triada (a Minoansettlement in Crete克里特岛南海岸古城阿及亚·特里阿达). The recitations念诵 of the Ancient Greeks were accompanied伴奏 by lyre playing.

The lyre of classical antiquity was ordinarily played by being strummed with a plectrum拨片 (pick), like a guitar吉他 or a zither齐特琴〔东欧的一种弦乐器,用手指或拨子弹奏〕, rather than being plucked with the fingers as with a harp. The fingers of the free hand silenced the unwanted strings in the chord. However, later lyres were played with a bow in Europe and parts of the Middle East. One example from Wales that has been resurrected recently is the crwth克鲁特琴.

Lyre with tortoiseshell body (rhyton, 480–470 BC)

 cithara 基萨拉琴(其他翻译:西萨拉琴/西特拉琴/西塔拉琴)

Apollo Citharoedus with kithara, 2nd century CE.

The cithara or kithara (Greek: κιθάρα, kithāra, Latin: cithara) was an ancient Greek musical instrument in the lyre or lyra family. In modern Greek the word kithara has come to mean "guitar", a word which etymologically词源的 stems from源于 kithara.

The kithara was a professional version of the two-stringed lyre. As opposed to the simpler lyre, which was a folk-instrument民族乐器, the kithara was primarily used by professional musicians, called kitharodes. 

Greek vase drawing depicting a man playing a kithara with eight strings.



《西方文明中音乐》

Music in Western Civilization

by Paul Henry Lang保罗·亨利·朗

published by W.W.Norton & Company. Inc.美国诺顿出版社


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